Bruno V. Roels

Looking for Paradise

10/12/2019

01/02/2020

Gallery FIFTY ONE

Opening reception: Saturday, Dec. 7th 2019 from 2 – 6 pm

Bruno V. Roels (Belgium, 1976) uses his third solo show with Gallery FIFTY ONE to wander deeper into the possibilities of analogue photography and dark room print making.

’Looking For Paradise’ offers an insight in the various things that inspire and/or obsess Roels. These interests range from the influence of television during his childhood, to American conceptual art, going back to the roots of photography with modernist geniuses like Man Ray.

Read the full press release here.

Bruno V. Roels

Bruno Roels divides his time between writing and photographing. He considers the act of printing (turning a photograph into a tangible object) as important as the act of photographing itself. He photographs almost nonstop, documenting his entire life, building a sizable archive. In his dark room he uses that archive to explore the analogue photographic process. Rather than trying to make ‘the perfect gelatin silver print’ he assumes that all prints are perfect and gives all variations equal attention.

He’s looking for poetry, and photographic truth, in sequences and fluctuations. Details in his photographs may become lead motives in bigger compositions, and obvious subject matter is reduced to abstract information through numerous reiterations.

Getting away from the tyranny of viewfinders

The American conceptual artist Baldessari warned against the “tyranny of camera viewfinders and rectangular boxes of enlarging papers”. He had a valid point; a lot of photography is defined by the camera used, the film (or technology) in that camera, and the paper the photographs are printed on. Bruno V. Roels was frustrated by this and started researching ways to get more out of the process. Not just to be ‘different’ but to get away from ‘the tyranny’ of normal photography.
Roels found that the very act of developing and printing analogue photography offers endless ways to be free, artistically.

All prints have value

Instead of fussing over making the perfect gelatin silver print, for example, Roels realized that all printed versions of an image have value, and he decided to not show that one perfect print, but all of them, in one composition. Some of his compositions consist of hundreds variations of one single negative, all printed in the dark room.
Photography is a mimetic art, it imitates life. But Roels pushes it further: when printing variants of one image; he creates a mimetic feedback loop. The prints are not just interpretations of a reality, but of themselves as well.